Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.  Related Paintings of Raphael :. | Portrait of Count Baldassare Castiglione | st michael | Still Life fdhgdfghf | Noli me tangere, painting by Anton Raphael Mengs. All Souls College, Oxford | the sistine madonna |
Related Artists:
Chandler Winthrop
American Colonial Era Painter, 1747-1790 American painter. He was one of ten children of William Chandler, a farmer, and Jemima Bradbury Chandler of Woodstock, CT. After the death of his father in 1754 and on reaching the age for apprenticeship, Chandler pursued a career as a portrait and ornamental painter. While there is no proof of his presence in Boston, the History of Woodstock (1862) states that he studied portrait painting there. He may also have had the opportunity to view works by the major artist of the city, John Singleton Copley, as well as those of his lesser-known contemporaries, William L. Johnston and Joseph Badger. In the course of his career, Chandler worked in such diverse trades as gilding, carving and illustrating, as well as portraiture, landscape and house painting, suggesting that he received some instruction as an artisan-painter.
Hendrick van Anthonissen
(29 May 1605, Amsterdam - 12 November 1656, Amsterdam) was a Dutch marine painter. Van Anthonissen was the son of Aert Anthonisz (a.k.a. Aart van Antum) and painted in the style of his brother-in-law and teacher Jan Porcellis and of Jan van Goyen. He is the author of sea paintings in the Hermitage, St. Petersburg and the Prague Gallery, which through their signatures have been ascribed to a mythical Hendrik van Antem. In the 1630's he lived in The Hague, Leiden, and Leiderdorp, but from 1642 he was back in Amsterdam. He is known for beach scenes and seascapes in the manner of Jan Porcellis, sometimes in grisaille. He was the father of the marine painter Arnoldus van Anthonissen.
Oskar Schlemmer
German Abstract Painter, 1888-1943 German painter, sculptor, choreographer and stage designer. After the death of his parents he lived with his sister at Geppingen, and in Stuttgart from 1903 to 1905 he served an apprenticeship at a workshop specializing in marquetry while attending classes at the Kunstgewerbeschule. He continued his studies on a bursary from 1906 to 1911 at the Kunstakademie in Stuttgart under the plein-air landscape painters Christian Landenberger (1862-1927) and Friedrich von Keller (1840-1914). In 1911-12 he lived in Berlin, where he produced paintings such as Hunting Lodge, Grunewald (1911; Stuttgart, Staatsgal.) and Self-portrait (1912; Stuttgart, Staatsgal.) under the influence of Cubism. After returning to Stuttgart, Schlemmer studied under Adolf Helzel,